Abstract
This panel explores the idea and creation of 3D Digital Scholarly Editions. We define 3D Scholarly Editions as knowledge sites (Apollon et al., 2014; Driscoll and Pierazzo, 2016; Pierazzo, 2015; Sutherland, 1997) with a 3D model at its centre which is contextualised and annotated multimodally (text, images, video as well as other models) allowing the apparatus to be displayed and read in the same information space as the model. The 3D model at the centre of the edition can be an individual object (e.g. a sculpture, scientific or cultural artefact, or even a toy), or a complex scene including archaeological sites or cityscapes. The panel will focus on 3D Scholarly Editions (Papadopoulos and Schreibman, 2019; Schreibman and Papadopoulos, 2019) created within PURE3D, the national Dutch infrastructure for the publication and preservation of 3D scholarship.
| Original language | English |
|---|---|
| Title of host publication | Digital Humanities Benelux 2025 Conference |
| Publisher | Zenodo |
| Volume | 2025 |
| DOIs | |
| Publication status | Published - 17 Jun 2025 |
| Event | DHBenelux 2025 - Vrije Universiteit Amsterdam, Amsterdam, Netherlands Duration: 3 Jun 2025 → 6 Jun 2025 Conference number: 12 https://2025.dhbenelux.org/ |
Conference
| Conference | DHBenelux 2025 |
|---|---|
| Country/Territory | Netherlands |
| City | Amsterdam |
| Period | 3/06/25 → 6/06/25 |
| Internet address |
Keywords
- 3D
- 3D scholarly editions
- digital storytelling
- digital collections
- PURE3D