Abstract
In this article, I discuss the illness and recovery of the depressed Moses Herzog, the protagonist of Saul Bellow’s novel Herzog (1964). Using this novel as a case study, I criticize a one-sided (neuro)biological and drug-based approach to depression. Referring to the hermeneutic anthropology of philosophers like Paul Ricoeur and Marya Schechtman, I argue that the treatment of depression could benefit from a broader approach that takes into account existential and social-cultural factors as well as biological factors. I suggest that narrative psychiatry offers a framework wherein various models of mental illness may be combined in ways that move beyond a pro/contra bio-psychiatry binary. By investigating depression using philosophical ideas and a literary text, this article aims to illustrate how the humanities may contribute to our thinking about depression.
Original language | English |
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Pages (from-to) | 129-144 |
Number of pages | 16 |
Journal | Journal of Medical Humanities |
Volume | 44 |
Issue number | 2 |
Early online date | 10 Jun 2022 |
DOIs | |
Publication status | Published - Jun 2023 |
Keywords
- Narrative psychiatry
- depression
- narrative identity
- phenomenology